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The Resource A year in the dark; : journal of a film critic, 1968-69

A year in the dark; : journal of a film critic, 1968-69

Label
A year in the dark; : journal of a film critic, 1968-69
Title
A year in the dark;
Title remainder
journal of a film critic, 1968-69
Creator
Subject
Genre
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorName
Adler, Renata
Dewey number
791.43/09
Index
no index present
LC call number
PN1995
LC item number
.A26
Literary form
non fiction
http://library.link/vocab/subjectName
Motion pictures
Label
A year in the dark; : journal of a film critic, 1968-69
Instantiates
Publication
Contents
The wicked dreams of Paula Schultz -- The movies make heroes of them all -- Norman Mailer's Wild 90 -- China is near: A mother is like a flower -- Venom: Two purposes in life -- Our monuments to how it was -- Mann's Tonio Kroger -- The biggest bundle of them all at an all-night theater -- Cartooning and Animations: Zagreb -- Love song of two paragons: Questions of geography, mass production and personal hygiene -- The good, the bad and the ugly: Immortal lines -- Sebastian: Omnispoof -- Cold blood, cheap fiction -- The bright side of Poor cow and things lost track of -- Today's stars, and the point where the quiet center tilts -- Doctor Faustus: Mr. Burton and Miss Taylor half in Tamburlaine -- Sweeet November: Twelve affairs at the music hall -- Planet of the apes -- Winter kept us warm at colleges -- A brilliant breakdown -- Albert Finney's Charlie Bubbles -- The fastest guitar alive at exam time -- Tell me lies tells you how to go mindless -- Claude Berri's The two of us -- Half a sixpence -- Sidney Lumet, groups and Bye bye Braverman -- The imperialist scriptwriter and A matter of innocence -- Underground Windflowers and Guerrilla newsreel -- The fox, and Charlie Bubbles again on Sunday -- The treasure of San Gennaro: Breaking-and-entering addicts -- We still kill the old way -- Paul Newman in The secret war of Harry Frigg -- The negro that movies overlook: Stereotypes -- Voices in Here we go round the Mulberry bush -- Whole cloth: 30 is a dangerous age, Cynthia -- The power gives one pause -- Not tuning in to the sound of new music -- Monica Vitti, sex comedy, The queens -- Wading into the lives of other people, Up the junction -- Nemec's Diamonds of the night and Eisenstein's strike -- Kahlil Gibran's The broken wings -- On reviewing, I: Turnstiles -- The producers: A gay romp in Berchtesgaden and one mistake -- Awards, feathers, I even met happy gypsies -- Bette Davis in The anniversary -- Disney studio's The one and only genuine original family band -- If you need anything, just whistle: sex -- Benjamin -- Psych-out and Cobra -- Anyone for a good cry: Empathies -- A dandy in Aspic: Trying to play monotone -- Stanley Kubrick's 2001: A space odyssey -- Jean-Luc Godard's La chinoise -- Pier Paolo Pasolini's Accattone! -- Drive-ins: To park and get protection -- Ingmar Bergman's Hour of the wolf -- Will Penny -- Sugared calamity: The young girls of Rochefort -- Horror films, Bergman and Belle de jour -- The underground and Illiac passion -- Self-addressed polemics, Maoists and girls on Sunday -- Lucille Ball and Henry Fonda in Yours, mine and ours: Don't look at me. I just got here -- Godard's Les Carabiniers -- On short films -- War and peace -- The spy film: Yul Brynner in The double man -- The odd couple, from the stage -- War, foreign languages and war again on Sunday -- Physical courage, The fifth horseman is fear -- Bob Hope, Phyllis Diller and N.B.C. in the private navy of Sgt. O'Farrell -- Style politics: The demonstration as film -- Robbe-Grillet's Trans-Europe express: The notion that things make any sense at all -- Therese and Isabel -- Style politics II: La chinoise on Sunday -- Pharmacology, Prudence and the pill -- Fracas at the Cannes festival -- How their world might ideally be -- Bellochio's Fist in his pocket: People for whom happiness is not at all possible -- The long day's dying -- Wild in the streets -- Two films that opened the day after the shooting in Los Angeles -- Very far from Vietnam -- On unvicarious suffering in voices in old age home -- Richard Lester's Petulia -- Survival 1967 -- Roman Polanski's Rosemary's baby -- Elvis Presley in Speedway, and Sol Madrid -- Children and metaphors -- The queen of the Camp pageant -- The green berets -- Luis Bunuel's Nazarin: Bubonic mirth -- Claiming responsibility, asserting control -- Francois Truffaut's The bride wore black -- The Thomas Crown affair -- Have you heard of the San Francisco Mine Troupe? -- The absolute end of the romance of war -- Dark of the sun and Custer of the west: Hostels -- Anyone for a laugh: Exemptions -- Alan Arkin in Inspector Clouseau -- Marcello Mastroianni in Kiss the other sheik -- The heart is a lonely hunter: Place resonance -- Time, old movies and exhausting life -- Today Malone in Revolution -- Wholesomeness when the lights went out -- Chance and a personal signature -- True Hunger -- The conqueror worm and other horrors -- Steps, trenches and the love of ivy -- Hugs and kisses, beetles -- The legend of Lylah Clare -- Traversing distances to strangers -- Joanne Woodward in Rachel, Rachel -- In old port of Rome Rossellini makes a film -- The insane world: where will they work? -- Venice film festival, if there should be a death, Pasolini and La Patate -- More festival in Venice -- Our Faces, laughter, narrative -- From spaghetti to Paella westerns -- Jean Renoir's Toni -- Orson Welles's The immortal story -- Funny girl -- A report on the party and the guests -- Film time: La religieuse -- You are what you eat -- Marzipan sensuality: 24 hours in a woman's life -- Intense whisper: Two or three things I know about her -- Claude Chabrol's Les biches -- A terminal smashup: Weekend -- Naked childhood and natural singing -- A cinematheque for us -- The fireman's ball and oratorio for Prague -- Patience for the transition to little films -- Zeffirelli's (and some of Shakespeare's) Romeo and Juliet -- Finian's Listless Rainbow -- Barbarella -- Temper, misogyny and couples in theaters -- Steve McQueen in Peter Yates's Bullitt -- Tony Curtis in The alleged Boston strangler -- Thoughts for 1,001 nights, and Warrendale -- Julie Andrews in Star! -- Weekend, and antagonizing audiences -- The hard ticket Lion in winter -- The split -- Shalako, cinerama, Sean Connery, Brigitte Bardot -- The Monkees in Head -- A terrific moment in The split, ramblings and a night at C.C.N.Y. -- Yellow submarine -- Anthony Quinn in The shoes of the fisherman -- The Beatles, a good non-literary education under forty -- Godard stalks the real through movies: Report when color adds nothing -- Joanna (and Faces) -- On reviewing, II: A Wayne sympathetic frame of mind -- Euphemisms: The impossible years -- Michael Sarne sees his film at the movies -- The fixer -- The magus -- Shells on Sunday -- The killing of Sister George: Not much of a first -- Candy -- Chitty Chitty bang bang -- Ice station Zebra -- The ten best films of 1968 -- Shame -- Monterey Pop -- Documentary and Up tight -- James Card of the Eastman house -- Three Cuban cultural reports with films somewhere in them
Control code
ocm00053952
Dimensions
22 cm.
Extent
xxv, 354 p.
Lccn
78089696
System control number
(OCoLC)53952
Label
A year in the dark; : journal of a film critic, 1968-69
Publication
Contents
The wicked dreams of Paula Schultz -- The movies make heroes of them all -- Norman Mailer's Wild 90 -- China is near: A mother is like a flower -- Venom: Two purposes in life -- Our monuments to how it was -- Mann's Tonio Kroger -- The biggest bundle of them all at an all-night theater -- Cartooning and Animations: Zagreb -- Love song of two paragons: Questions of geography, mass production and personal hygiene -- The good, the bad and the ugly: Immortal lines -- Sebastian: Omnispoof -- Cold blood, cheap fiction -- The bright side of Poor cow and things lost track of -- Today's stars, and the point where the quiet center tilts -- Doctor Faustus: Mr. Burton and Miss Taylor half in Tamburlaine -- Sweeet November: Twelve affairs at the music hall -- Planet of the apes -- Winter kept us warm at colleges -- A brilliant breakdown -- Albert Finney's Charlie Bubbles -- The fastest guitar alive at exam time -- Tell me lies tells you how to go mindless -- Claude Berri's The two of us -- Half a sixpence -- Sidney Lumet, groups and Bye bye Braverman -- The imperialist scriptwriter and A matter of innocence -- Underground Windflowers and Guerrilla newsreel -- The fox, and Charlie Bubbles again on Sunday -- The treasure of San Gennaro: Breaking-and-entering addicts -- We still kill the old way -- Paul Newman in The secret war of Harry Frigg -- The negro that movies overlook: Stereotypes -- Voices in Here we go round the Mulberry bush -- Whole cloth: 30 is a dangerous age, Cynthia -- The power gives one pause -- Not tuning in to the sound of new music -- Monica Vitti, sex comedy, The queens -- Wading into the lives of other people, Up the junction -- Nemec's Diamonds of the night and Eisenstein's strike -- Kahlil Gibran's The broken wings -- On reviewing, I: Turnstiles -- The producers: A gay romp in Berchtesgaden and one mistake -- Awards, feathers, I even met happy gypsies -- Bette Davis in The anniversary -- Disney studio's The one and only genuine original family band -- If you need anything, just whistle: sex -- Benjamin -- Psych-out and Cobra -- Anyone for a good cry: Empathies -- A dandy in Aspic: Trying to play monotone -- Stanley Kubrick's 2001: A space odyssey -- Jean-Luc Godard's La chinoise -- Pier Paolo Pasolini's Accattone! -- Drive-ins: To park and get protection -- Ingmar Bergman's Hour of the wolf -- Will Penny -- Sugared calamity: The young girls of Rochefort -- Horror films, Bergman and Belle de jour -- The underground and Illiac passion -- Self-addressed polemics, Maoists and girls on Sunday -- Lucille Ball and Henry Fonda in Yours, mine and ours: Don't look at me. I just got here -- Godard's Les Carabiniers -- On short films -- War and peace -- The spy film: Yul Brynner in The double man -- The odd couple, from the stage -- War, foreign languages and war again on Sunday -- Physical courage, The fifth horseman is fear -- Bob Hope, Phyllis Diller and N.B.C. in the private navy of Sgt. O'Farrell -- Style politics: The demonstration as film -- Robbe-Grillet's Trans-Europe express: The notion that things make any sense at all -- Therese and Isabel -- Style politics II: La chinoise on Sunday -- Pharmacology, Prudence and the pill -- Fracas at the Cannes festival -- How their world might ideally be -- Bellochio's Fist in his pocket: People for whom happiness is not at all possible -- The long day's dying -- Wild in the streets -- Two films that opened the day after the shooting in Los Angeles -- Very far from Vietnam -- On unvicarious suffering in voices in old age home -- Richard Lester's Petulia -- Survival 1967 -- Roman Polanski's Rosemary's baby -- Elvis Presley in Speedway, and Sol Madrid -- Children and metaphors -- The queen of the Camp pageant -- The green berets -- Luis Bunuel's Nazarin: Bubonic mirth -- Claiming responsibility, asserting control -- Francois Truffaut's The bride wore black -- The Thomas Crown affair -- Have you heard of the San Francisco Mine Troupe? -- The absolute end of the romance of war -- Dark of the sun and Custer of the west: Hostels -- Anyone for a laugh: Exemptions -- Alan Arkin in Inspector Clouseau -- Marcello Mastroianni in Kiss the other sheik -- The heart is a lonely hunter: Place resonance -- Time, old movies and exhausting life -- Today Malone in Revolution -- Wholesomeness when the lights went out -- Chance and a personal signature -- True Hunger -- The conqueror worm and other horrors -- Steps, trenches and the love of ivy -- Hugs and kisses, beetles -- The legend of Lylah Clare -- Traversing distances to strangers -- Joanne Woodward in Rachel, Rachel -- In old port of Rome Rossellini makes a film -- The insane world: where will they work? -- Venice film festival, if there should be a death, Pasolini and La Patate -- More festival in Venice -- Our Faces, laughter, narrative -- From spaghetti to Paella westerns -- Jean Renoir's Toni -- Orson Welles's The immortal story -- Funny girl -- A report on the party and the guests -- Film time: La religieuse -- You are what you eat -- Marzipan sensuality: 24 hours in a woman's life -- Intense whisper: Two or three things I know about her -- Claude Chabrol's Les biches -- A terminal smashup: Weekend -- Naked childhood and natural singing -- A cinematheque for us -- The fireman's ball and oratorio for Prague -- Patience for the transition to little films -- Zeffirelli's (and some of Shakespeare's) Romeo and Juliet -- Finian's Listless Rainbow -- Barbarella -- Temper, misogyny and couples in theaters -- Steve McQueen in Peter Yates's Bullitt -- Tony Curtis in The alleged Boston strangler -- Thoughts for 1,001 nights, and Warrendale -- Julie Andrews in Star! -- Weekend, and antagonizing audiences -- The hard ticket Lion in winter -- The split -- Shalako, cinerama, Sean Connery, Brigitte Bardot -- The Monkees in Head -- A terrific moment in The split, ramblings and a night at C.C.N.Y. -- Yellow submarine -- Anthony Quinn in The shoes of the fisherman -- The Beatles, a good non-literary education under forty -- Godard stalks the real through movies: Report when color adds nothing -- Joanna (and Faces) -- On reviewing, II: A Wayne sympathetic frame of mind -- Euphemisms: The impossible years -- Michael Sarne sees his film at the movies -- The fixer -- The magus -- Shells on Sunday -- The killing of Sister George: Not much of a first -- Candy -- Chitty Chitty bang bang -- Ice station Zebra -- The ten best films of 1968 -- Shame -- Monterey Pop -- Documentary and Up tight -- James Card of the Eastman house -- Three Cuban cultural reports with films somewhere in them
Control code
ocm00053952
Dimensions
22 cm.
Extent
xxv, 354 p.
Lccn
78089696
System control number
(OCoLC)53952

Library Locations

    • CLEVELAND/Main LibraryBorrow it
      325 Superior Ave., N.E., Cleveland, OH, 44114, US
      41.501174 -81.69177499999999
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