Coverart for item
The Resource America after the fall : painting in the 1930s, Edited by Judith A. Barter ; With essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler

America after the fall : painting in the 1930s, Edited by Judith A. Barter ; With essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler

Label
America after the fall : painting in the 1930s
Title
America after the fall
Title remainder
painting in the 1930s
Statement of responsibility
Edited by Judith A. Barter ; With essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler
Contributor
Editor
Host institution
Organizer
Subject
Genre
Language
eng
Summary
"Through 50 masterpieces of American painting, this catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression in search of "Americanness." Seeking to define modern American art, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles-ranging from abstraction to Regionalism to Surrealism-that allowed them to engage with issues such as populism, labor, social protest, and urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty"--
Assigning source
Provided by publisher
Cataloging source
DLC
Dewey number
759.13
Index
index present
LC call number
ND212
LC item number
.A4478 2016
Literary form
non fiction
Nature of contents
  • bibliography
  • catalogs
http://library.link/vocab/relatedWorkOrContributorDate
1951-
http://library.link/vocab/relatedWorkOrContributorName
  • Barter, Judith A.
  • Art Institute of Chicago
  • Musée de l'Orangerie
  • Royal Academy of Arts (Great Britain)
http://library.link/vocab/subjectName
  • Painting, American
  • National characteristics, American, in art
  • Art and society
Label
America after the fall : painting in the 1930s, Edited by Judith A. Barter ; With essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references (pages
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Judith A. Barter
  • American made? Transatlantic expressions in the 1930s
  • Sarah Kelly Oehler
  • Reviving the old and telling tales: 1930s modernism and the uses of American history
  • Annelise K. Madsen
  • Death, decay, and dystopia: painting the American wasteland in the 1930s
  • Sarah L. Burns
  • Busted seams and bad behavior : bodies for the 1930s
  • Teresa A. Carbone
  • Epilogue:
  • Exhibition and catalogue sponsors
  • Americanness after the 1930s
  • Judith A. Barter
  • Exhibition checklist
  • Foreword
  • James Rondeau, Guy Cogeval, and Christopher Le Brun Pra
  • Acknowledgments
  • Judith A. Barter
  • Introduction
  • Judith A. Barter
  • Prairie pastoral
Control code
ocn930798166
Dimensions
31 cm
Edition
First edition.
Extent
201 pages
Isbn
9780865592827
Lccn
2016009063
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)930798166
Label
America after the fall : painting in the 1930s, Edited by Judith A. Barter ; With essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler
Publication
Copyright
Bibliography note
Includes bibliographical references (pages
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
  • text
  • still image
Content type code
  • txt
  • sti
Content type MARC source
  • rdacontent
  • rdacontent
Contents
  • Judith A. Barter
  • American made? Transatlantic expressions in the 1930s
  • Sarah Kelly Oehler
  • Reviving the old and telling tales: 1930s modernism and the uses of American history
  • Annelise K. Madsen
  • Death, decay, and dystopia: painting the American wasteland in the 1930s
  • Sarah L. Burns
  • Busted seams and bad behavior : bodies for the 1930s
  • Teresa A. Carbone
  • Epilogue:
  • Exhibition and catalogue sponsors
  • Americanness after the 1930s
  • Judith A. Barter
  • Exhibition checklist
  • Foreword
  • James Rondeau, Guy Cogeval, and Christopher Le Brun Pra
  • Acknowledgments
  • Judith A. Barter
  • Introduction
  • Judith A. Barter
  • Prairie pastoral
Control code
ocn930798166
Dimensions
31 cm
Edition
First edition.
Extent
201 pages
Isbn
9780865592827
Lccn
2016009063
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
System control number
(OCoLC)930798166

Library Locations

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      325 Superior Ave., N.E., Cleveland, OH, 44114, US
      41.501174 -81.69177499999999
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