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The Resource Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell

Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell

Label
Modern art, 1851-1929 : capitalism and representation
Title
Modern art, 1851-1929
Title remainder
capitalism and representation
Statement of responsibility
Richard R. Brettell
Creator
Author
Subject
Language
eng
Summary
"Richard Brettell's innovative account explores the aims and achievements - the beautiful and the bizarre - of artists such as Monet, Gauguin, Picasso, and Dali, in relation to urban capitalism and expansion, colonialism, nationalism and internationalism, and the museum. Tracing common themes of representation, imagination, perception, and sexuality across works in a wide range of different media, he presents a fresh approach to the fine art and photography of this remarkable era."--Jacket
Member of
Cataloging source
UKM
http://library.link/vocab/creatorName
Brettell, Richard R
Dewey number
760/.09/034
Illustrations
illustrations
Index
index present
LC call number
N6757
LC item number
.B74 1999
Literary form
non fiction
Nature of contents
bibliography
Series statement
Oxford history of art
http://library.link/vocab/subjectName
  • Art, European
  • Art, European
Label
Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell
Link
Instantiates
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 218-225) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Post-Impressionism
  • Neo-Impressionism
  • Synthetism
  • The Nabis
  • The Fauves
  • Expressionism
  • Cubism
  • Futurism
  • Orphism
  • Vorticism
  • Introduction: The Great Exhibition of 1851, London
  • Suprematism/Constructivism
  • Neo-Plasticism
  • Dada
  • Purism
  • Surrealism
  • The '-ism' problem
  • The Conditions for Modern Art
  • Urban Capitalism
  • Paris and the birth of the modern city
  • Capitalist society
  • Paris: the capital of modern art
  • The commodification of art
  • The modern condition
  • Modernity, Representation, and the Accessible Image
  • The art museum
  • Temporary exhibitions
  • Lithography
  • Photography
  • The Artist's Response
  • Representation, Vision, and 'Reality': The Art of Seeing
  • The human eye
  • New technology
  • Transparency and unmediated modernism
  • Surface fetishism and unmediated modernism
  • Photography and unmediated modernism
  • Beyond the oil sketch
  • Cubism
  • Image/Modernism and the Graphic Traffic
  • The Pre-Raphaelite brotherhood
  • Puvis de Chavannes and Gustave Moreau: image/modernism outside the avant-garde
  • Image/modernism outside France
  • Exhibitions of the avant-garde
  • The beginnings of modern art
  • Fragmentation, dislocation, and recombination
  • Iconology
  • Sexuality and the Body
  • Manet's bodies
  • Modern art and pornography
  • The nude and the modernist cycle of life
  • The bathing nude
  • The allegorical or non-sexual nude
  • Colonialism and the nude: the troubled case of Gauguin
  • Realism to Surrealism
  • Realism
  • Impressionism
  • Symbolism
Control code
ocm40753950
Dimensions
25 cm.
Extent
ix, 258 pages
Isbn
9780192842206
Lccn
00500970
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color)
System control number
(OCoLC)40753950
Label
Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell
Link
Publication
Copyright
Bibliography note
Includes bibliographical references (pages 218-225) and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
  • Post-Impressionism
  • Neo-Impressionism
  • Synthetism
  • The Nabis
  • The Fauves
  • Expressionism
  • Cubism
  • Futurism
  • Orphism
  • Vorticism
  • Introduction: The Great Exhibition of 1851, London
  • Suprematism/Constructivism
  • Neo-Plasticism
  • Dada
  • Purism
  • Surrealism
  • The '-ism' problem
  • The Conditions for Modern Art
  • Urban Capitalism
  • Paris and the birth of the modern city
  • Capitalist society
  • Paris: the capital of modern art
  • The commodification of art
  • The modern condition
  • Modernity, Representation, and the Accessible Image
  • The art museum
  • Temporary exhibitions
  • Lithography
  • Photography
  • The Artist's Response
  • Representation, Vision, and 'Reality': The Art of Seeing
  • The human eye
  • New technology
  • Transparency and unmediated modernism
  • Surface fetishism and unmediated modernism
  • Photography and unmediated modernism
  • Beyond the oil sketch
  • Cubism
  • Image/Modernism and the Graphic Traffic
  • The Pre-Raphaelite brotherhood
  • Puvis de Chavannes and Gustave Moreau: image/modernism outside the avant-garde
  • Image/modernism outside France
  • Exhibitions of the avant-garde
  • The beginnings of modern art
  • Fragmentation, dislocation, and recombination
  • Iconology
  • Sexuality and the Body
  • Manet's bodies
  • Modern art and pornography
  • The nude and the modernist cycle of life
  • The bathing nude
  • The allegorical or non-sexual nude
  • Colonialism and the nude: the troubled case of Gauguin
  • Realism to Surrealism
  • Realism
  • Impressionism
  • Symbolism
Control code
ocm40753950
Dimensions
25 cm.
Extent
ix, 258 pages
Isbn
9780192842206
Lccn
00500970
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other physical details
illustrations (some color)
System control number
(OCoLC)40753950

Library Locations

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      41.501174 -81.6917749
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