Coverart for item
The Resource The Citizen Kane crash course in cinematography : a wildly fictional account of how Orson Welles learned everything about the art of cinematography in half an hour, or was it a weekend?, David Worth

The Citizen Kane crash course in cinematography : a wildly fictional account of how Orson Welles learned everything about the art of cinematography in half an hour, or was it a weekend?, David Worth

Label
The Citizen Kane crash course in cinematography : a wildly fictional account of how Orson Welles learned everything about the art of cinematography in half an hour, or was it a weekend?
Title
The Citizen Kane crash course in cinematography
Title remainder
a wildly fictional account of how Orson Welles learned everything about the art of cinematography in half an hour, or was it a weekend?
Statement of responsibility
David Worth
Creator
Subject
Genre
Language
eng
Cataloging source
DLC
http://library.link/vocab/creatorDate
1940-
http://library.link/vocab/creatorName
Worth, David
Dewey number
813/.6
Illustrations
illustrations
Index
no index present
LC call number
PS3623.O773
LC item number
C58 2008
Literary form
fiction
Nature of contents
  • bibliography
  • filmographies
http://library.link/vocab/subjectName
  • Welles, Orson
  • Cinematography
  • Motion picture industry
Label
The Citizen Kane crash course in cinematography : a wildly fictional account of how Orson Welles learned everything about the art of cinematography in half an hour, or was it a weekend?, David Worth
Link
http://catdir.loc.gov/catdir/toc/ecip0819/2008022840.html
Instantiates
Publication
Bibliography note
Includes bibliographical references and filmography
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Machine derived contents note: Table of Contents -- Foreword by Bruce Campbell -- Acknowledgments -- Preface: "The more things change the more they stay the same" -- Act I: There But for the Grace of God -- Welles & Toland / The Commissary / -- The Award / The Whiskey / The BS / -- The Deal -- Act II: Toes, T%&t, Tits, Teeth -- The Beverly Hills Hotel / The Brown Derby / -- Musso & Frank's / The Roosevelt / The Suite / -- Camera / Magazine / Film / Lenses / 24mm / -- 50mm / 75mm / 100mm -- Act III: Let There Be Light -- Pinks / Natural Light / Unnatural Light / -- Hard / Soft / Reflected / Key / Kick / Fill / -- Only Six Places -- Act IV: Objects at Rest or in Motion -- Santa Monica / The S.S. Rex / The Raid / -- The Pig / Blocking / Coverage / Continuity / -- Dolly / Track / Crane -- Act V: Frankly, Orson, I Don't Give a Damn -- The Lab / The Editing / The Sound / -- The Premiere / The Bar / The Exit -- Act VI: An Appendix -- Cinematography / Biographies and Filmographies / -- Source Material / Tables and Charts / -- About the Author / Promotional
Control code
ocn221141528
Dimensions
19 x 28 cm
Extent
xv, 121 pages
Isbn
9781932907469
Lccn
2008022840
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(OCoLC)221141528
Label
The Citizen Kane crash course in cinematography : a wildly fictional account of how Orson Welles learned everything about the art of cinematography in half an hour, or was it a weekend?, David Worth
Link
http://catdir.loc.gov/catdir/toc/ecip0819/2008022840.html
Publication
Bibliography note
Includes bibliographical references and filmography
Carrier category
volume
Carrier category code
nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
txt
Content type MARC source
rdacontent
Contents
Machine derived contents note: Table of Contents -- Foreword by Bruce Campbell -- Acknowledgments -- Preface: "The more things change the more they stay the same" -- Act I: There But for the Grace of God -- Welles & Toland / The Commissary / -- The Award / The Whiskey / The BS / -- The Deal -- Act II: Toes, T%&t, Tits, Teeth -- The Beverly Hills Hotel / The Brown Derby / -- Musso & Frank's / The Roosevelt / The Suite / -- Camera / Magazine / Film / Lenses / 24mm / -- 50mm / 75mm / 100mm -- Act III: Let There Be Light -- Pinks / Natural Light / Unnatural Light / -- Hard / Soft / Reflected / Key / Kick / Fill / -- Only Six Places -- Act IV: Objects at Rest or in Motion -- Santa Monica / The S.S. Rex / The Raid / -- The Pig / Blocking / Coverage / Continuity / -- Dolly / Track / Crane -- Act V: Frankly, Orson, I Don't Give a Damn -- The Lab / The Editing / The Sound / -- The Premiere / The Bar / The Exit -- Act VI: An Appendix -- Cinematography / Biographies and Filmographies / -- Source Material / Tables and Charts / -- About the Author / Promotional
Control code
ocn221141528
Dimensions
19 x 28 cm
Extent
xv, 121 pages
Isbn
9781932907469
Lccn
2008022840
Media category
unmediated
Media MARC source
rdamedia
Media type code
n
Other physical details
illustrations
System control number
(OCoLC)221141528

Library Locations

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      41.501174 -81.6917749
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