Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell

Resource Information

The instance Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell represents a material embodiment of a distinct intellectual or artistic creation found in Cleveland Public Library.

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Label

Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell

Link

• http://bvbr.bib-bvb.de:8991/F?func=serviceetdoc_library=BVB01etdoc_number=008491031etline_number=0001etfunc_code=DB_RECORDSetservice_type=MEDIA
• http://catdir.loc.gov/catdir/enhancements/fy0608/00500970-d.html
• http://catdir.loc.gov/catdir/enhancements/fy0725/00500970-b.html
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• http://catdir.loc.gov/catdir/enhancements/fy0608/00500970-t.html

Title remainder

capitalism and representation

Statement of responsibility

Richard R. Brettell

Instantiates

• Modern art, 1851-1929 : capitalism and representation

Publication

• Oxford | New York, Oxford University Press, 1999

Copyright

• ©1999

Bibliography note

Includes bibliographical references (pages 218-225) and index

Carrier category

volume

Carrier category code

nc

Carrier MARC source

rdacarrier

Content category

text

Content type code

txt

Content type MARC source

rdacontent

Contents

• Post-Impressionism
• Neo-Impressionism
• Synthetism
• The Nabis
• The Fauves
• Expressionism
• Cubism
• Futurism
• Orphism
• Vorticism
• Introduction: The Great Exhibition of 1851, London
• Suprematism/Constructivism
• Neo-Plasticism
• Dada
• Purism
• Surrealism
• The '-ism' problem
• The Conditions for Modern Art
• Urban Capitalism
• Paris and the birth of the modern city
• Capitalist society
• Paris: the capital of modern art
• The commodification of art
• The modern condition
• Modernity, Representation, and the Accessible Image
• The art museum
• Temporary exhibitions
• Lithography
• Photography
• The Artist's Response
• Representation, Vision, and 'Reality': The Art of Seeing
• The human eye
• New technology
• Transparency and unmediated modernism
• Surface fetishism and unmediated modernism
• Photography and unmediated modernism
• Beyond the oil sketch
• Cubism
• Image/Modernism and the Graphic Traffic
• The Pre-Raphaelite brotherhood
• Puvis de Chavannes and Gustave Moreau: image/modernism outside the avant-garde
• Image/modernism outside France
• Exhibitions of the avant-garde
• The beginnings of modern art
• Fragmentation, dislocation, and recombination
• Iconology
• Sexuality and the Body
• Manet's bodies
• Modern art and pornography
• The nude and the modernist cycle of life
• The bathing nude
• The allegorical or non-sexual nude
• Colonialism and the nude: the troubled case of Gauguin
• Realism to Surrealism
• Realism
• Impressionism
• Symbolism

Control code

ocm40753950

Dimensions

25 cm.

Extent

ix, 258 pages

Isbn

9780192842732

Lccn

00500970

Media category

unmediated

Media MARC source

rdamedia

Media type code

n

Other physical details

illustrations (some color)

Record ID

u32112

System control number

(OCoLC)40753950