Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell
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The instance Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell represents a material embodiment of a distinct intellectual or artistic creation found in Cleveland Public Library.
The Resource
Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell
Resource Information
The instance Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell represents a material embodiment of a distinct intellectual or artistic creation found in Cleveland Public Library.
- Label
- Modern art, 1851-1929 : capitalism and representation, Richard R. Brettell
- Link
-
- http://bvbr.bib-bvb.de:8991/F?func=serviceetdoc_library=BVB01etdoc_number=008491031etline_number=0001etfunc_code=DB_RECORDSetservice_type=MEDIA
- http://catdir.loc.gov/catdir/enhancements/fy0608/00500970-d.html
- http://catdir.loc.gov/catdir/enhancements/fy0725/00500970-b.html
- http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=008491031&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
- http://catdir.loc.gov/catdir/enhancements/fy0608/00500970-t.html
- Title remainder
- capitalism and representation
- Statement of responsibility
- Richard R. Brettell
- Bibliography note
- Includes bibliographical references (pages 218-225) and index
- Carrier category
- volume
- Carrier category code
- nc
- Carrier MARC source
- rdacarrier
- Content category
- text
- Content type code
- txt
- Content type MARC source
- rdacontent
- Contents
-
- Post-Impressionism
- Neo-Impressionism
- Synthetism
- The Nabis
- The Fauves
- Expressionism
- Cubism
- Futurism
- Orphism
- Vorticism
- Introduction: The Great Exhibition of 1851, London
- Suprematism/Constructivism
- Neo-Plasticism
- Dada
- Purism
- Surrealism
- The '-ism' problem
- The Conditions for Modern Art
- Urban Capitalism
- Paris and the birth of the modern city
- Capitalist society
- Paris: the capital of modern art
- The commodification of art
- The modern condition
- Modernity, Representation, and the Accessible Image
- The art museum
- Temporary exhibitions
- Lithography
- Photography
- The Artist's Response
- Representation, Vision, and 'Reality': The Art of Seeing
- The human eye
- New technology
- Transparency and unmediated modernism
- Surface fetishism and unmediated modernism
- Photography and unmediated modernism
- Beyond the oil sketch
- Cubism
- Image/Modernism and the Graphic Traffic
- The Pre-Raphaelite brotherhood
- Puvis de Chavannes and Gustave Moreau: image/modernism outside the avant-garde
- Image/modernism outside France
- Exhibitions of the avant-garde
- The beginnings of modern art
- Fragmentation, dislocation, and recombination
- Iconology
- Sexuality and the Body
- Manet's bodies
- Modern art and pornography
- The nude and the modernist cycle of life
- The bathing nude
- The allegorical or non-sexual nude
- Colonialism and the nude: the troubled case of Gauguin
- Realism to Surrealism
- Realism
- Impressionism
- Symbolism
- Control code
- ocm40753950
- Dimensions
- 25 cm.
- Extent
- ix, 258 pages
- Isbn
- 9780192842732
- Lccn
- 00500970
- Media category
- unmediated
- Media MARC source
- rdamedia
- Media type code
- n
- Other physical details
- illustrations (some color)
- Record ID
- u32112
- System control number
- (OCoLC)40753950
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